Photography and paintings have long revealed themselves as a mystery of the gaze, and I dare to suggest that color, when intertwined with any artistic practice, has the power to intensify this enigma. In this selection of artworks—its title a tribute to Eva Heller’s Psychology of Colour, first published in German in 2004—the artist Raquel Pater engages with an expanded understanding of chromatic studies. Here, colors—or their deliberate absence—invite us to perceive the works through their superimpositions, layers, lines—straight or curved—as well as through reliefs and three-dimensional forms, all of which emerge as symbolic expressions of multiple processes. Among paintings and photographs, healing stands as a turning point in the artist’s trajectory, marking the moment when art therapy became an integral part of her practice nearly a decade ago.   This “perpetual discovery,” as Raquel describes the role of color in her work, becomes evident in pieces such as Paixão (2025). It also resonates with reflections found in The Artist’s Reality, a 2007 publication that brought to light previously unknown manuscripts by Mark Rothko, gathering his artistic and philosophical insights on the impact of color as a catalyst for expression. “I am not an abstractionist,” Rothko writes. “I am interested only in expressing basic human emotions: love, tragedy, ecstasy, destruction, and so forth.” Yet the question remains: how might abstract expressionism be approached—and reimagined—within a contemporary context?

RAQUEL PATER (Sao Paulo, Brazil) is an artist who intertwines colors and emotions in a unique journey marked by deep psychological and visual explorations. With a background in Psychology and a master's degree in Clinical Psychology, Raquel channels the complexities of the human mind into her visual creations. Her artistic approach investigates the connections between colors and emotional states. Through photography, sculpture, and painting, she builds a visual narrative that delves into the depths of human emotions.

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Interferences XXI, 2025, 59" x 47", Hahnemuhle Photo Silk Baryta 310g on wooden frame
Inner horizon, 2026, 60" x 36", Acrylic on canvas
Outer horizon, 2026, 60" x 36", Acrylic and oil on canvas
Mini Interferences, 2025, 12,6" x 16,5", Hahnemuhle Photo Silk Baryta 310g on acrylic display

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Ward Gallery

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Pen + Brush

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Tiro Al Blanco

Tiro Al Blanco

Guadalajara, Mexico

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REGULARNORMAL

REGULARNORMAL

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AWL

AWL

Girona, Spain / Al Ain, UAE

AWL
Carmo Johnson Projects

Carmo Johnson Projects

São Paulo, Brazil

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Yehudi Hollander Pappi

Yehudi Hollander Pappi

São Paulo, Brazil

Yehudi Hollander Pappi
WhereArt.Works

WhereArt.Works

Riyadh, Saudi Arabia

WhereArt.Works
Bambolwami Sibiya Art Studio

Bambolwami Sibiya Art Studio

South Africa

Bambolwami Sibiya Art Studio
mimo & Hidrante

mimo & Hidrante

Brooklyn, NY; San Juan, PR

mimo & Hidrante
Mazzucchelli Cardoso

Mazzucchelli Cardoso

São Paulo, Brazil

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Keijsers Koning

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Dallas, TX

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Praise Shadows

Praise Shadows

Boston, MA

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Blouin Division

Blouin Division

Canada

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Marisa Newman Projects

Marisa Newman Projects

New York, NY

Marisa Newman Projects
Gladwell Projects

Gladwell Projects

New York, NY

Gladwell Projects
David Krut Projects

David Krut Projects

South Africa and New York

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Deanna Evans Projects

Deanna Evans Projects

New York, NY

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Galleria Macca

Galleria Macca

Cagliari, Italy

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Bockley Gallery

Bockley Gallery

Minneapolis, MN

Bockley Gallery
PROXYCO

PROXYCO

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Light for the Amazon

Light for the Amazon

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Henrique Faria

Henrique Faria

New York, NY

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Residency Unlimited

Residency Unlimited

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Galería Extra

Galería Extra

Guatemala City, Guatemala

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Brihatta Art Foundation

Brihatta Art Foundation

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Brihatta Art Foundation
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Abstract geometric pattern of pale peach and cream arches and rectangles arranged in a grid.