The book launch of a new artist monograph by Vuslat, published by Distanz, centered on the concept of Emanet—a layered notion of trust, care, guardianship, and entrusted memory knowledge. Vuslat will be in conversation with Eric Shiner, President of Powerhouse Arts, for an evening exploring the ideas and processes behind the publication.

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Grounded in shared cultural histories and local networks, La Vaughn Belle, Danny Báez, Christopher Cozier, and Daniela Fifi come together with moderator Tiana Webb-Evans to explore how community-led initiatives create space for new voices, material practices, and forms of artistic freedom in the Caribbean.

Performance with Khaled Jarrar.

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The performance features a conversation with three matriarchal species, likely representing ancestral wisdom, environmental connection, and nurturing. An olive tree in pain from snow, a woman grieving the lost her son, a back goat running to the mountains for her life. A matriarchal resilience, eco-colonialism, grief, and the struggle between life-giving forces and destructive patriarchal power. A black goat as anti colonial destructive machine.

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You are invited to join MoMA PS1 for a private view with a curatorial introduction of Greater New York 2026, a signature survey of artists living and working in the New York City area.

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Matthew Kirk’s (Navajo) painting and assemblage practice activates found materials to forge intuitive and diaristic connections with playful and critical potency.

The Gochman Family Collection (GFC) mission is to expand and deepen the global understanding of contemporary Native art. The Collection supports and promotes artists whose practices critically engage with colonial worldviews and challenge dominant historical narratives.