Within this space, artist Bishwajit Goswami welcomes you through a participatory performance, inviting you to join him in transforming the installation into a living baithak-khana—a space of informal gathering rooted in Bengal’s cultural memory.

Grounded in shared cultural histories and local networks, La Vaughn Belle, Danny Báez, Christopher Cozier, and Daniela Fifi come together with moderator Tiana Webb-Evans to explore how community-led initiatives create space for new voices, material practices, and forms of artistic freedom in the Caribbean.

Performance with Khaled Jarrar.

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The performance features a conversation with three matriarchal species, likely representing ancestral wisdom, environmental connection, and nurturing. An olive tree in pain from snow, a woman grieving the lost her son, a back goat running to the mountains for her life. A matriarchal resilience, eco-colonialism, grief, and the struggle between life-giving forces and destructive patriarchal power. A black goat as anti colonial destructive machine.

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The Gochman Family Collection (GFC) mission is to expand and deepen the global understanding of contemporary Native art. The Collection supports and promotes artists whose practices critically engage with colonial worldviews and challenge dominant historical narratives.

Matthew Kirk’s (Navajo) painting and assemblage practice activates found materials to forge intuitive and diaristic connections with playful and critical potency.

Celebrate the launch of May We Meet in the Silence of Our Souls, an artist monograph of Vuslat bringing together 3 years of her artistic research on the ancient notion of Emanet, her work and exhibitions. May We Meet In The Silence Of Our Souls is published by Distanz.