With Kite (Oglála Lakȟóta), Cannupa Hanska Luger, and Rachel Martin, moderated by Candice Hopkins, this panel brings together Indigenous curators, artists, and collectors to discuss best practices for stewarding Indigenous art as collectors and collecting institutions. Centering Indigenous-led methodologies, the conversation will touch on research, relationship building, contracts, loaning and displaying Indigenous art.

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Grounded in shared cultural histories and local networks, La Vaughn Belle, Danny Báez, Christopher Cozier, and Daniela Fifi come together with moderator Tiana Webb-Evans to explore how community-led initiatives create space for new voices, material practices, and forms of artistic freedom in the Caribbean.

Performance with Khaled Jarrar.

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The performance features a conversation with three matriarchal species, likely representing ancestral wisdom, environmental connection, and nurturing. An olive tree in pain from snow, a woman grieving the lost her son, a back goat running to the mountains for her life. A matriarchal resilience, eco-colonialism, grief, and the struggle between life-giving forces and destructive patriarchal power. A black goat as anti colonial destructive machine.

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You are invited to join MoMA PS1 for a private view with a curatorial introduction of Greater New York 2026, a signature survey of artists living and working in the New York City area.

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The Gochman Family Collection (GFC) mission is to expand and deepen the global understanding of contemporary Native art. The Collection supports and promotes artists whose practices critically engage with colonial worldviews and challenge dominant historical narratives.

FULLY BOOKED

Join Monsoon Culture Club for a lunch at Malvan at 550 Court Street, located 15 minutes from Powerhouse Arts, for Indian-themed food and specialty cocktails. Meet with like-minded emerging and established collectors.

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