The book launch of a new artist monograph by Vuslat, published by Distanz, centered on the concept of Emanet—a layered notion of trust, care, guardianship, and entrusted memory knowledge. Vuslat will be in conversation with Eric Shiner, President of Powerhouse Arts, for an evening exploring the ideas and processes behind the publication.

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Performance with Khaled Jarrar.

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The performance features a conversation with three matriarchal species, likely representing ancestral wisdom, environmental connection, and nurturing. An olive tree in pain from snow, a woman grieving the lost her son, a back goat running to the mountains for her life. A matriarchal resilience, eco-colonialism, grief, and the struggle between life-giving forces and destructive patriarchal power. A black goat as anti colonial destructive machine.

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Within this space, artist Bishwajit Goswami welcomes you through a participatory performance, inviting you to join him in transforming the installation into a living baithak-khana—a space of informal gathering rooted in Bengal’s cultural memory.

Encounter an artist who changed the face of portrait photography. Seydou Keïta: A Tactile Lens is the most expansive North American exhibition of the legendary Malian photographer’s work to date. More than 280 works include iconic prints, never-before-seen portraits, textiles, and Keïta’s personal artifacts, all brought to life with unique insights from his family.

Celebrate the launch of May We Meet in the Silence of Our Souls, an artist monograph of Vuslat bringing together 3 years of her artistic research on the ancient notion of Emanet, her work and exhibitions. May We Meet In The Silence Of Our Souls is published by Distanz.

Matthew Kirk’s (Navajo) painting and assemblage practice activates found materials to forge intuitive and diaristic connections with playful and critical potency.