Performance with Khaled Jarrar.

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The performance features a conversation with three matriarchal species, likely representing ancestral wisdom, environmental connection, and nurturing. An olive tree in pain from snow, a woman grieving the lost her son, a back goat running to the mountains for her life. A matriarchal resilience, eco-colonialism, grief, and the struggle between life-giving forces and destructive patriarchal power. A black goat as anti colonial destructive machine.

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With Kite (Oglála Lakȟóta), Cannupa Hanska Luger, and Rachel Martin, moderated by Candice Hopkins, this panel brings together Indigenous curators, artists, and collectors to discuss best practices for stewarding Indigenous art as collectors and collecting institutions. Centering Indigenous-led methodologies, the conversation will touch on research, relationship building, contracts, loaning and displaying Indigenous art.

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Lido Pimienta will contribute a special musical performance for CONDUCTOR’s VIP Opening Night. Presented here in a rare a cappella performance, Pimienta strips her work to its most essential element: the voice.

You are invited to join MoMA PS1 for a private view with a curatorial introduction of Greater New York 2026, a signature survey of artists living and working in the New York City area.

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Discover the fabrication shops at Powerhouse Arts with a guided tour of the Ceramics Studio, Printshop, and Public Arts workshop. The tour will feature some work-in-progress that PHA fabrication team will be working on including Khaled Jarrar, Precious Okoyomon, Bugarin + Castle, and PHA Artists Subsidy Program recipients, Coral Saucedo Lomeli and Bahar Behbahani. 

Matthew Kirk’s (Navajo) painting and assemblage practice activates found materials to forge intuitive and diaristic connections with playful and critical potency.