The book launch of a new artist monograph by Vuslat, published by Distanz, centered on the concept of Emanet—a layered notion of trust, care, guardianship, and entrusted memory knowledge. Vuslat will be in conversation with Eric Shiner, President of Powerhouse Arts, for an evening exploring the ideas and processes behind the publication.

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Within this space, artist Bishwajit Goswami welcomes you through a participatory performance, inviting you to join him in transforming the installation into a living baithak-khana—a space of informal gathering rooted in Bengal’s cultural memory.

With Kite (Oglála Lakȟóta), Cannupa Hanska Luger, and Rachel Martin, moderated by Candice Hopkins, this panel brings together Indigenous curators, artists, and collectors to discuss best practices for stewarding Indigenous art as collectors and collecting institutions. Centering Indigenous-led methodologies, the conversation will touch on research, relationship building, contracts, loaning and displaying Indigenous art.

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Matthew Kirk’s (Navajo) painting and assemblage practice activates found materials to forge intuitive and diaristic connections with playful and critical potency.

Discover the fabrication shops at Powerhouse Arts with a guided tour of the Ceramics Studio, Printshop, and Public Arts workshop. The tour will feature some work-in-progress that PHA fabrication team will be working on including Khaled Jarrar, Precious Okoyomon, Bugarin + Castle, and PHA Artists Subsidy Program recipients, Coral Saucedo Lomeli and Bahar Behbahani. 

The Gochman Family Collection (GFC) mission is to expand and deepen the global understanding of contemporary Native art. The Collection supports and promotes artists whose practices critically engage with colonial worldviews and challenge dominant historical narratives.