Aurora Pellizzi, Secuencia Danza, 2025
Artist bio
Aurora Pellizzi currently lives and works in Mexico City. Daughter of anthropologists, she was born in 1983 in Mexico City and grew up between New York and Cuernavaca. She studied art at Cooper Union School (BFA, 2010) and art history at New York University (BA, 2005).
Pellizzi's work combines formal precepts of painting and sculpture with craft techniques. Her practice is informed by pre-industrial textile processes and materials, from natural dyeing to back-strap loom weaving. Technical constraints yield to textural, dimensional shapes and forms. Fiber is used both as a pictorial field and as the embodiment of the subject it represents.
Her most recent one and two person shows include Gorgona at the Museum of Contemporary Art in Monterrey, MARCO (2024), Culebras with Jeff Marfa Gallery at Salon Acme in Mexico City (2023), Cuerpos Flotantes / Corpi a Galla at the Italian Cultural Institute in Mexico City (2022), El Deseo Aparece de Repente at Instituto de Visión Gallery in Bogota (2022), Focus on: Aurora Pellizzi at Kandlhofer Gallery in Vienna (2022), Transfiguration at Canada Gallery in New York (2021) and forthcoming at La Tallera Siqueiros in Cuernavaca (2025) and at Instituto de Vision Gallery in New York, NY (2025).
She has exhibited in Austria, Belgium, Colombia, France, Italy, Mexico, Morocco, Spain, the United Kingdom, and the United States, including institutional group exhibitions at the Palazzo Franchetti in Venecia, the Museo de la Ciudad de Querétaro in Queretaro, Fundación Casa de México en España in Madrid, at Casa Miguel Alemán, Complejo Cultural Los Pinos in Mexico City, The Bunker in Miami, Franz Mayer Museum in Mexico City, the Museo Maya de Cancún in Quintana Roo, at the Museo de Artes Populares de Mexico in Mexico City and forthcoming at the Museum Raul Anguiano, MURA in Guadalajara. Pellizzi's work has been featured and reviewed in Brooklyn Rail, Art Net News, Art & Object, Art Observed, Art Review, Blouin Art Info, Coolhunting, Dazed Digital, Espoarte, Exibart, Local MX, Purple Magazine, Harper's Bazaar, Hyperallergic, Terremoto, in the newspapers The Art Newspaper, La Jornada de Morelos, Reforma, El Universal and on the cover of U: magazine published by the National Autonomous University of Mexico (UNAM).
Her work is included in numerous private collections including the Beth Rudin DeWoody Collection (The Bunker Artspace) in Miami, The Isabely Agustín Coppel Collection in Mexico City. In 2022 she was nominated for the Cisneros Fontanals Art Foundation Prize
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