featured project
William Villalongo and Shraddha Ramani, Data Consciousness: Reframing Blackness in Contemporary Print (five editions)
Data Consciousness: Reframing Blackness in Contemporary Print
Project Team Members (Powerhouse Arts Staff): John Bartolo, Chris Kinsler, Luther Davis
William Villalongo and Shraddha Ramani, Amalgamation of the Black Population with Other Races, 2025. Screenprint and chine collé. Published by Powerhouse Arts, Brooklyn.
© Villalongo Studio, Shraddha Ramani, and Powerhouse Arts, Brooklyn.
Print Center New York. Photo: Argenis Apolinario
project overview
Printing Black America: Du Bois’s Data Portraits in the 21st Century follows W.E.B. Du Bois’s ground-breaking approach to his iconic data visualization illustrations. Villalongo and Ramani’s project uses national data on Black life drawn from official records such as the 2020 U.S. Census as well as hyper-local oral testimonies and archives. The resulting portfolio of 30 images was produced in collaboration with six print publishers across the U.S., including Powerhouse Arts, as well as Graphicstudio, University of South Florida, Tampa; Island Press, Washington University, St. Louis; Highpoint Editions, Minneapolis; Paulson Fontaine Press, Berkeley; and Mullowney Printing Company, Portland, OR.
The PHA-printed works include:
Amalgamation of the Black Population with Other Races
City, Suburban & Rural Population 2020
Visualizando la Afrodignidad: Skin Color & Race in Puerto Rico
Distribution of Black Americans in the United States
Black Elected Officials Representing Brooklyn
artist biography
William Villalongo was born in 1975. He lives and works in Brooklyn, NY. He received his BFA from The Cooper Union School of Art, MFA from Tyler School of Art at Temple University and attended Skowhegan School of Painting & Sculpture. His figurative paintings, works on paper and sculpture are concerned with representing the Black subject against notions of race exploring metaphors of mythology and liberation. His curatorial projects include American Beauty at Susan Inglett Gallery in 2013 and Black Pulp! touring nationally between 2016-2018 explore the intersections of politics, history and art. Villalongo is the recipient of the prestigious Louis Comfort Tiffany Award and the Joan Mitchell Foundation Painters & Sculptors Grant. His work is included in several notable collections including the Studio Museum In Harlem, The Whitney Museum of American Art, Princeton University Art Museum and El Museo del Barrio. His work has been reviewed in Art In America, The New Yorker and the New York Times. The artist is represented by Susan Inglett Gallery, New York and is an Associate Professor at The Cooper Union School of Art. Villalongo is the 2022 Jules Guerin & Harold M. English Rome Prize Fellow in Visual Art.
Shraddha Ramani is an urbanist and researcher based in Brooklyn, NY. She uses data visualization and mapmaking as tools to make cities more resilient and equitable. Her work is centered around democratizing data to better equip communities to make informed decisions about their futures. She currently works at the NYC Department of Transportation on efforts to improve equity and accessibility. Previously she was Director of the GIS Data Center at New York City Emergency Management, where she led a team to make data-driven decisions for emergency planning, response, recovery, and mitigation. In earlier roles she developed online applications to help the public visualize and understand natural hazard risks in their communities. Earlier, she worked on the development of the Future City Lab exhibition at the Museum of the City of New York. Shraddha Ramani is from Bangalore, India and her work is heavily informed by her own immigrant experience. She has participated in planning projects in India and Brazil, and was a Peace Corps volunteer in Ecuador. She has a Master’s degree in Urban Planning from Columbia University, and a BA in Environmental Studies from Oberlin College.
