Print Ecosystem 101: Navigating Curators, Galleries, and Academia with Clara Lieu and Ann Shafer
Apr 10, 2026 4:00 PM
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Apr 10, 2026 5:00 PM
Small Hall
Demystify the print industry with Clara Lieu (Art Prof) and Ann Shafer (Platemark) as they map out a "who’s who" of curators, gallerists, academics, and publishers. Learn how to approach these gatekeepers with confidence through a series of professional insights and tips designed to help artists find their place in the printmaking ecosystem.
Clara Lieu is the founder of Art Prof, an online educational platform for learning visual arts.
Artist grants include ones from the Massachusetts Cultural Council, the Berkshire Taconic Community Foundation and the Puffin Foundation. Her work has been exhibited at the International Print Center New York, the Danforth Museum of Art, the Currier Museum of Art, and the Davis Museum and Cultural Center.
She spent 16 years in academia teaching at the Rhode Island School of Design, Wellesley College, the School of the Museum of Fine Arts, and Lesley University. For 7 years she taught at RISD Project Open Door, an art program for underserved teens in Providence public schools.
She has written for the New York Times, and lectures widely. Her work has been profiled on WBUR, Artsy, Hyperallergic, Inside Higher Ed, WCVB’s Chronicle, and KPCC. She provided expertise on articles for NPR Weekend Edition and The Washington Post.
Ann Shafer is an independent curator, organizer of the Brooklyn Fine Art Print Fair, and creator and host of Platemark, the popular podcast dedicated to the world of prints and the printmaking ecosystem. A former curator at the Baltimore Museum of Art, Ann has spent her career immersed in the print ecosystem, organizing major exhibitions and building significant collections. She is currently editing a definitive multi-author volume on the history and legacy of Atelier 17, bridging the gap between mid-century modernism and contemporary practice. Through her scholarship and her insightful interviews on Platemark, Ann has become a vital connector for artists, curators, and collectors, offering a rare 360-degree view of how the print world functions from the inside out.
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Please note seating is first-come, first-served. Plan to arrive early to secure your seat(s).
We provide live-captioning services at every conversation over the weekend.
More Programs
From Workshop to Movement: Grabando Oaxaca (screening)
Small Hall
Apr 10, 2026 11:00 AM
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12:00 pm
Grabando Oaxaca
2024, 20 mins
This documentary takes viewers on a captivating exploration of Oaxaca, Mexico, a globally recognized hot spot for the art of printmaking.
The film delves into the region’s deep-rooted traditions, tracing the development of printmaking from its historical origins to its rise in global prominence and the key role of the APPO movement in this evolution. Through interviews with contemporary influential figures, we uncover how Oaxaca became a world-renowned epicenter for the art form.
The documentary showcases the current vibrant scene, highlighting the work of contemporary artists and their contributions to the evolving medium. As we journey through studios, galleries, archives, and collectives, the film reflects on the hopes and aspirations of artists for the future of printmaking in Oaxaca, emphasizing the importance of preserving its rich cultural heritage while embracing innovation. Through stunning visuals and personal stories, Grabando Oaxaca offers a comprehensive look at the past, present, and future of this celebrated artistic tradition.
Produced with support from The Institute for Electronic Arts at Alfred University, The National Endowment for the Arts, The New York State Council on the Arts, The Schein-Joseph Endowment, Gonzaga University, and Hello Print Friend Studios.
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Please note seating is first-come, first-served. Plan to arrive early to secure your seat(s).
Texture, Abstraction, and Collage: Watercolor Monotype Workshop with Print Center New York
MGC Community Print Studio (5th Fl)
Apr 11, 2026 1:00 PM
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2:00 pm
In conjunction with the exhibition Felipe Baeza: Anima at Print Center New York, participants are invited to create prints inspired by Baeza’s layered imagery and material processes. Participants will explore texture, abstraction, and collage using watercolor monotype and chine collé techniques. Led by artist-educators Megan Duffy, Alejandra Arias Sevilla, and Cecilia Cano-Daly, this open-ended workshop emphasizes experimentation and creative discovery to engage with the visual language of Baeza’s work. Felipe Baeza: Anima is on view through May 23 at Print Center New York.
This workshop is free with entry, but is limited to 25 participants and spots are first come, first served. No experience is necessary. Recommended for ages 12 and over. All materials provided.
Megan Duffy is an arts administrator and art educator based in Brooklyn, NY. She currently serves as Project Manager for the NYC Department of Transportation Art Program, managing temporary art installations throughout the five boroughs in partnership with professional artists and community organizations. Previously, Megan was Artist Programs Manager at Print Center New York, overseeing the New Prints juried exhibition series among other initiatives. She has also worked as a museum educator at the Newark Museum of Art. Megan holds a Bachelor of Science in Studio Art from Skidmore College, focusing on printmaking and textiles.
Alejandra Arias Sevilla is a visual artist, collaborator, and printmaker based in Brooklyn, NY. Through research-based and intuitive methodologies, her work investigates the semantics and pragmatics of the color blue, as well as translation and shadows. Arias Sevilla earned her BFA at the Pacific Northwest College of Art. In 2021, she was awarded the Undergrowth Educational Print Fund at Mullowney Printing. After completing the apprenticeship, she joined the team, becoming the Lead Printer (2022-2023). In 2024, Arias Sevilla had two solo exhibitions, Borderings Print Center New York, and Translation as Deformation at the Jordan Schnitzer Gallery at Dieu Donné after completing the Marabeth Cohen-Tyler Print/Paper Fellowship.
Cecilia Cano-Daly is a printmaker based in Queens, NY. She primarily explores material processes, thinking of her creation as a collaboration between herself and the techniques she employs. She embraces the process and experimentation intrinsic to printmaking, often playing with the balance between control and chance. Cecilia completed a studio internship at Robert Blackburn Printmaking Workshop in May 2024, and is set to begin apprenticing at Mullowney Printing through the Undergrowth Educational Print Fund in April 2026.
Relief Carving and Block Printing with The Alpha Workshops
The Alpha Workshops (5th Fl)
Apr 12, 2026 1:00 PM
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2:00 pm
Artisan Erik Savage and team will demonstrate a printing technique used by The Alpha Workshops in the production of some of their catalogue of award-winning wallpaper patterns. The team will demo intaglio carving using lightweight foam blocks and will print and embellish a signature Alpha wallpaper. Participants will take away a gorgeous hand-painted greeting card exemplifying these techniques.
Dedicated to creating beauty and changing lives, The Alpha Workshops is the nation’s first nonprofit organization to provide decorative arts education and employment to adults with visible or invisible disabilities and/or other vulnerabilities. It was founded in 1995 in the Chelsea area of Manhattan and modeled on the famed Omega Workshops, the Wiener Werkstätte, the Bauhaus, and the American Arts & Crafts movement. The multi-faceted organization encompasses The Alpha Workshops Studios, an award-winning professional design and decorative arts atelier.
Erik Savage joined The Alpha Workshops wallpaper artisan staff in 2012 and became the Production Manager in 2015. He designed many papers in the current collection and has taught the techniques of Alpha's signature folded papers and the traditional stamped patterns of our first collections in our Studio School.
