From Workshop to Movement: Grabando Oaxaca Screening + Panel
Apr 10, 2026 11:00 AM
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Apr 12, 2026 12:00 PM
Small Hall
Grabando Oaxaca
2024, 20 mins
This documentary takes viewers on a captivating exploration of Oaxaca, Mexico, a globally recognized hot spot for the art of printmaking.
The film delves into the region’s deep-rooted traditions, tracing the development of printmaking from its historical origins to its rise in global prominence and the key role of the APPO movement in this evolution. Through interviews with contemporary influential figures, we uncover how Oaxaca became a world-renowned epicenter for the art form.
The documentary showcases the current vibrant scene, highlighting the work of contemporary artists and their contributions to the evolving medium. As we journey through studios, galleries, archives, and collectives, the film reflects on the hopes and aspirations of artists for the future of printmaking in Oaxaca, emphasizing the importance of preserving its rich cultural heritage while embracing innovation. Through stunning visuals and personal stories, Grabando Oaxaca offers a comprehensive look at the past, present, and future of this celebrated artistic tradition.
Produced with support from The Institute for Electronic Arts at Alfred University, The National Endowment for the Arts, The New York State Council on the Arts, The Schein-Joseph Endowment, Gonzaga University, and Hello Print Friend Studios.
Stay tuned for more information on the featured panelists.
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Please note seating is first-come, first-served. Plan to arrive early to secure your seat(s).
We provide live-captioning services and ASL interpreters at every conversation over the weekend.
More Programs
Mokuhanga Demonstration with Artist and Printmaker Takuji Hamanaka
MGC Community Print Studio (5th Fl)
Apr 10, 2026 1:00 PM
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2:00 pm
Join artist Takuji Hamanaka for a hands-on look at traditional Japanese woodcut printing. This demonstration introduces the core elements of mokuhanga—printing with a baren, using kento marks for precise registration, and creating subtle bokashi color gradients. Visitors will see woodblocks, brushes, pigments, and examples of both historic ukiyo-e prints and contemporary artworks. Whether you're new to printmaking or an experienced maker, this is an approachable glimpse into a centuries-old craft that continues to inspire.
Takuji Hamanaka is an artist and printmaker living in Brooklyn, New York. He apprenticed in traditional woodcut printmaking in Tokyo, Japan and has worked in studios both in Japan and the US, collaborating with many artists for editions. His work has been exhibited internationally, including the International Print Center, NY; Whitman College, Washington; National Academy of Fine Arts, India; and the Royal Scottish Academy in Edinburgh, Scotland. He is a recipient of the NYFA fellowships, a Pollock-Krasner Grant, The Gottlieb Foundation Individual Support Grant and a Macdowell Colony fellow. He is represented by Kristen Lorello Gallery in NY.
Hello, Print Friend & Platemark BYO Coffee Meet-Up
Lobby
Apr 10, 2026 10:00 AM
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11:00 am
Calling all print nerds! Start your Friday at the Brooklyn Fine Art Print Fair with a caffeine boost and great conversation.
Join Ann Shafer (Platemark), Miranda Metcalf (Hello, Print Friend), and Reinaldo Gil Zambrano (Hello, Print Friend) for an informal BYO-coffee meetup at 10:00 am before the doors open at 11:00. It’s the perfect chance to talk shop about the printmaking ecosystem with fellow print people before heading into the fair!
Put the Message in the Hands of the Peoples and Move On with Amos Paul Kennedy, Jr. and Josh MacPhee
Small Hall
Apr 12, 2026 2:00 PM
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3:00 pm
Bringing together Amos Paul Kennedy, Jr. and Josh MacPhee, their conversation will center print as a democratic force that is portable, accessible, and unapologetically political. From Kennedy’s bold, type-driven calls for justice to MacPhee’s collaborative social movement archives, the conversation challenges the myth of art’s neutrality and individual authorship. Drawing from Black printing traditions, social movements, and grassroots distribution, Kennedy and MacPhee explore how printed matter circulates beyond elite art systems and spaces. Together, prints are positioned not as an artifact, but as action, a tool to agitate, educate, and move people toward change.
I am negro! - Amos Paul Kennedy, Jr.
Amos Paul Kennedy, Jr. is a letterpress printer and artist renowned for bold typography and socially engaged messages. After discovering letterpress printing in the late 1980s, he left a career as a systems analyst and earned an MFA in graphic design from the University of Wisconsin–Madison. His work has been featured in The New York Times, Hyperallergic, and The Economist, and is held by institutions including the Library of Congress, MoMA, and the Metropolitan Museum of Art.
Josh MacPhee is a founding member of the Justseeds Artists’ Cooperative (Justseeds.org) and Interference Archive, a public collection of cultural materials produced by social movements (InterferenceArchive.org).
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Please note seating is first-come, first-served. Plan to arrive early to secure your seat(s).
We provide live-captioning services and ASL interpreters at every conversation over the weekend.
