Traditional techniques of etching, drypoint, aquatint, and use of hard and soft grounds as well as contemporary methods such as non-toxic photo-etching, viscosity printing, and Xerox-transfer
Traditional techniques of etching, drypoint, aquatint, and use of hard and soft grounds as well as contemporary methods such as non-toxic photo-etching, viscosity printing, and Xerox-transfer
This workshop explores the rich possibilities of alternative photographic printing using organic materials such as green tea, coffee, and wine. Students will engage in two distinct image-making processes: cameraless photograms and contact printing from digital negatives. Instructor: Mickey Aloisio
The fair’s second edition will convene galleries and print publishers, national academic printmaking departments, and leading independent artists for a four-day celebration of contemporary printmaking.
An inclusive and accessible platform for cultural exchange that expands opportunities for artists and their galleries to grow and develop their markets in New York. The fair is curated by Adriana Farietta in collaboration with PHA.