From Oil Paints to Virtual Reality: Innovation is the Medium

Oct 7, 2026 6:30 PM

8:00 pm

information

From oil paint to photography, to video and film, and now virtual reality and AI, every generation has embraced new technologies that reshape how art is made, experienced, and understood. Inspired by our Fall 2026 exhibition, Masterpieces: A Virtual Experience of the Museo del Prado, this conversation will consider how artists use emerging tools and innovative approaches to deepen, rather than replace, our relationship with art and each other.

Featuring Curator and XR Producer Jazia Hammoudi, Artist and Cyberethnographer Ruby J. Thelot, and Artist and Technologist Wendi Yan, moderated by Rubén Polendo, Founding Artistic Director of Theater Mitu, the panelists will share how their own practices have led them to embrace emerging technologies, rethink how they function, and adapt new tools when existing ones no longer serve their work.

Free with RSVP. 

This program will include live captioning. For accessibility accommodations, including ASL interpretation, please email Public Programs Manager at Jacqueline@​powerhousearts.​org.

Bios: 

Jazia Hammoudi is a curator and cultural strategist focused on 21st-century infrastructures for media arts. Working alongside artists and institutions, she builds the frameworks in which experimental practices can be produced, presented, and sustained. She was the founding Program Director of Onassis ONX, the New York- and Athens-based art-and-technology incubator, where she led curatorial and partnership strategy and built a global platform for art and advanced technologies. As a curator and programmer, she has brought projects to the Venice Biennale, SXSW, and Tribeca Immersive, and forged partnerships with institutions including Lincoln Center, MIT, NEW INC, Centre PHI, and Serpentine Arts Technologies. A graduate of the Courtauld Institute of Art, she began her career at Hauser & Wirth, the Barbican Centre, and Artnet. Drawn to system design for cultural circulation and planetary resilience, she is now Curator & Partnerships Lead at PACT (Planetary Art, Culture & Technology), an interdisciplinary creative consultancy. PACT's world-first festival Creative Intelligence opened at the Southbank Centre in September 2026. Outside her institutional work, Jazia leads decolonial art tours of her native Morocco.

Ruby Thelot is a designer, artist and cyberethnographer based in New York. He teaches Design and Media Theory at New York University. He is the founder of the award-winning design studio 13101401 inc and the cultural research firm R2S. His work focuses on the interactions between humans and artificial intelligence, images, memory and the implications of being-on-line. 

His artwork has been shown internationally in venues such as the National Communication Museum in Melbourne and Interaccess in Toronto.  His writing can be found in Artforum, Spike Art Magazine, Artnews, Dazed, and other magazines. His work has been featured in publications like the New Yorker, Wired and Art in America. 

He is the author of “Stonemilker” (Nueoi Press, 2022). “A Cyberarchaeology of Checkpoints” (Irrelevant Press, 2023) and “In Defense of Being-On-Line” (Drawdown Books, 2026).

Wendi Yan (b. 1999, Beijing) constructs speculative epistemologies through research-driven worldbuilding and metafictional simulation, using CGI technology, game engines and sculpture to probe the artifice of knowledge. She collaborates with scientists to explore the frontier between imaging and imagining. Yan’s work has been exhibited internationally, including ArtScience Museum Singapore, HEK Basel, Ujazdowski Castle CCA, Hyundai Motorstudio and MU Hybrid Art House. Yan holds an A.B. in History of Science from Princeton University. She was an inaugural Steve Jobs Archive Fellow, the Grand Prix recipient of the 6th VH Award by Hyundai Motor Group, the inaugural resident at A24 Labs, and an Honorary Mention recipient of CERN Collide Stockholm. wendiyan.com

Rubén Polendo is the Founding Artistic Director of Brooklyn-based Theater Mitu. For nearly three decades, his work has challenged inherited ideas of theater-making, bringing performance into collision with installation, architecture, media, and emerging technology. At the center of his arts practice is an ongoing investigation of innovation: how new forms emerge when disciplines, technologies, cultures, and ways of making are brought into dynamic conversation.

Polendo has created more than forty-five original collaborative works with Theater Mitu, presented and developed nationally and internationally. He was awarded a Guggenheim Fellowship for his work exploring AI, robotics, and performance, and Theater Mitu received a special Obie Award recognizing more than 25 years of sustained innovation under his leadership with Co-Artistic Director Justin Nestor.

Polendo’s artistic home is MITU580, Theater Mitu’s interdisciplinary arts space in Gowanus, Brooklyn. Housed in a former glass-recycling warehouse, MITU580 is a laboratory and gathering place where artists across disciplines make, experiment, research, and exchange ideas.

Polendo is a professor at NYU and currently serves as Dean of the Tisch School of the Arts.

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