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Traditional techniques of etching, drypoint, aquatint, and use of hard and soft grounds as well as contemporary methods such as non-toxic photo-etching, viscosity printing, and Xerox-transfer

Traditional techniques of etching, drypoint, aquatint, and use of hard and soft grounds as well as contemporary methods such as non-toxic photo-etching, viscosity printing, and Xerox-transfer

This eight week class starts with learning how to make a traditional etching and aquatint print, and then how to use them in order to push the boundaries of those techniques.

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Led by Nandini Chirimar, this discussion-based class will focus on composition principles and critique of both in-progress and completed work.

A BWAC (Brooklyn Waterfront Artists Coalition) juried group exhibition of artworks that explore themes of loss, transition, liberation, freedom and deliverance.

Expand your wheel skills through larger forms and multi-part compositions.

Throw functional teaware with a focus on proportion, ergonomics, and tradition.

Push figurative sculpture beyond tradition through imaginative, handbuilt ceramic forms.

Discover the tactile, expressive world of collagraph printmaking in this hands-on workshop.

In this two session weekend class, students will learn an introductory method for screenprinting a single color repeat pattern on cotton fabric.

Join us for the first annual PHA Summer Party on June 10^th, to celebrate PHA’s inaugural exhibition, The Ark, with a festive evening of art exploration and canine charisma!

A sweeping group exhibition composed entirely of animal sculptures, curated by artist Eric Fischl with PHA President Eric Shiner.

Trace Monotype: The Hard Line explores a non-painterly methodology to making unique, one-of-a-kind prints: using line, hard edges, transparency, and layered passages of color.